Pygmalion

Pygmalion

A Romance in Five Acts

Book - 2003
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Penguin Putnam
Shaw's brilliantly witty exposure of the British class system

Shaw wrote the part of Eliza Doolittle—'an east-end dona with an apron and three orange and red ostrich feathers'—for Mrs Patrick Campbell, with whom he had a passionate but unconsummated affair. From the outset the play was a sensational success, although Shaw, irritated by its popularity at the expense of his artistic intentions, dismissed it as a potboiler. The Pygmalion of legend falls in love with his perfect female statue and persuades Venus to bring her to life so that he can marry her. But Shaw radically reworks Ovid's tale to give it a feminist slant: while Higgins teaches Eliza to speak and act like a duchess, she also asserts her independence, adamantly refusing to be his creation.

This Penguin Classics edition is the definitive text produced under the editorial supervision of Dan H. Laurence, with an illuminating introduction by Nicholas Grene, discussing the language and politics of the play. Included in this volume is Shaw’s preface, as well as his ‘sequel’ written for the first publication in 1916, to rebut public demand for a more conventionally romantic ending.

For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.



Baker & Taylor
Professor Higgins succeeds in transforming an unkempt London flower girl into a society belle.

Publisher: London : Penguin Books, 2003, c1957
ISBN: 9780141439501
Branch Call Number: 822.912 SHA
822.912 SHA
Characteristics: xx, 120 p. ; 22 cm

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SusyHendrix
Jul 24, 2019

It's interesting to read this play after years of familiarity with the 1956 musical adaptation, MY FAIR LADY. PYGMALION is much more acidic in its satire and social commentary. The choice to have Eliza and Higgins not end up together is actually much more to the benefit of the play's integrity. Heck, even today, a play that kept the heroine and hero (even if Higgins is more an anti-hero than anything) apart at the end would be seen as subversive.

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ummmm_no
Jul 24, 2015

"Ow he's your son is he? Well if you'd done your duty by him as a mother he'd know better than to spoil a girl's flowers and run off without paying"

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